Sabyasachi Chakraborty, nicknamed as Benu, has a passion for wildlife photography and loves the...
| Movies as Actor | ||
|---|---|---|
| 1975 | Charandas Chor | |
| 1975 | Nishant | |
| 1977 | Bhumika | |
| 1977 | Kondura | |
| 1979 | Gaman | |
| 1981 | Albert Pinto Ko Gussa Kyoon Ata Hai | |
| 1981 | Chakra | |
| 1981 | Sadgati | |
| 1981 | Tajurba | |
| 1982 | Arth | |
| 1982 | Badle Ki Aag | |
| 1982 | Bazaar | |
| 1982 | Bheegi Palkein | |
| 1982 | Ghungroo | |
| 1982 | Namak Halal | |
| 1982 | Shakti | |
| 1982 | Sitam | |
| 1983 | Ardh Satya | |
| 1983 | Chatpati | |
| 1983 | Dard Ka Rishta | |
| 1983 | Haadsa | |
| 1983 | Qayamat | |
| 1983 | Subah | |
| 1984 | Aaj Ki Awaz | |
| 1984 | Anand Aur Anand | |
| 1984 | Farishta | |
| 1984 | Giddh | |
| 1984 | Hum Do Hamare Do | |
| 1984 | Kanoon Meri Mutthi Mein | |
| 1984 | Kasam Paida Karne Wale Ki | |
| 1984 | Mera Dost Mera Dushman | |
| 1984 | Preet Pyar Aur Paap | |
| 1984 | Raavan | |
| 1984 | Shapath | |
| 1984 | Tarang | |
| 1985 | Aakhir Kyon? | |
| 1985 | Jawab | |
| 1985 | Mera Ghar Mere Bachche | |
| 1986 | Aap Ke Saath | |
| 1986 | Amrit | |
| 1986 | Anokha Rishta | |
| 1986 | Dilwaala | |
| 1986 | Kaanch Ki Deewar | |
| 1986 | Teesra Kinara | |
| 1987 | Awaam | |
| 1987 | Dance Dance | |
| 1987 | Devshishu | |
| 1987 | Insaniyat Ke Dushman | |
| 1987 | Mirch Masala | |
| 1987 | Nazrana | |
| 1987 | Rahi | |
| 1987 | Sher Shivaji | |
| 1987 | Sutradhaar | |
| 1987 | Thikana | |
| 1988 | Akarshan | |
| 1988 | Hum Farishte Nahin | |
| 1988 | Waaris | |
| 1989 | Oonch Neech Beech | |
Smita Patil (17 October 1955 – 13 December 1986) was a leading Indian actress from the 1970s to the 1980s in both Hindi and Marathi cinema.
Along with actress and co-star Shabana Azmi, Smita represented India's parallel cinema. Her performances were often acclaimed, and she was mostly noted for her work in films as Manthan (1977), Bhumika (1977), Aakrosh (1980) and Chakra (1981).
Patil was also an active feminist (in a distinctly Indian context) and a member of the Women's Centre in Mumbai. She was deeply committed to the advancement of women's issues, and gave her endorsement to films which sought to explore the role of women in traditional Indian society, their sexuality, and the changes facing the middle-class woman in an urban milieu.
Source: Wikipedia