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There is a wizard of sophistication and tear jerking comedy drama in Karan’s ‘We Are Family’. The story of the film says nothing new, but the way the director, Siddharth Malhotra has treated the script makes all the difference.

‘Hello Darling’ is all about its credible characters, the conspicuous loopholes in the story-line and the incompetence of the disappointing screenplay.

The very title of the movie ‘Lafangey Parindey’ seems to be misguiding enough and the movie has a very low connection with it.

‘Peepli Live’ is a rural film that shows Aamir Khan’s penchant in backing extraordinary scripts. The movie has no big names to boast of, but it is exceptionally good.

'Aisha', an adaptation of Jane Austen’s bestseller classic novel 'Emma', is a youth film to the core. The movie takes the audience in the world of the elite class and is a female-protagonist movie that centres on Aisha, played by the Masakali girl Sonam Kapoor.

Once Upon a Time in Mumbai (OUATIM) joins the race of the other gangster movies, but it comes with a difference.

You can just leave your brains behind when you watch Priyadarshan's 'Khatta Meetha'. The film has every bit of the director's stamp of sarcastic jokes and downright comedy.

It’s quite explicit from the title itself that Anant Mahadevan’s ‘Red Alert’ is synonymous to violence. Based on a true incident, ‘Red Alert’ scores with it's true to life characters but the film itself is not a worthy addition to neat entertainers.